The Gate House - Nelson DeMille
Fans of bestseller DeMille will welcome this sequel to The Gold Coast (1990), in which Susan Sutter, then the wife of tax attorney John Sutter, had a torrid affair with Frank Bellarosa, a powerful Mafia boss and the Sutters' neighbor on Long Island's tony Gold Coast, with fatal results for Bellarosa. After divorcing Susan, John sailed the world for three years, then built himself a new life in London. Now John has returned to the small gatehouse that was once part of his ex-wife's family estate, only to find Bellarosa's thuggish son, Anthony, living next door. In another coincidence, Susan has just reacquired the six-bedroom guest cottage where she and John lived as a married couple on her family's former property. Susan and John soon begin to explore an improbable reconciliation, even as they suspect she may be in Anthony's gun sights. The plot more than takes its time getting to its violent and predictable resolution, but DeMille devotees should have plenty of fun along the way. (Oct.)
I was so pleased to be able to read Nelson DeMille's latest novel that I didn't even wait for Amazon to it deliver to me, as is my wont. Instead, I rushed out to my neighborhood bookstore to buy an undiscounted copy on the day of publication.
First, let me state that DeMille is my favorite novelist, which may be obvious from reading the paragraph above. Therefore, it is possible that I hold him to a higher standard than I do other writers. Either way, THE GATE HOUSE is a good book. It's just not a great book, though I think that most authors would be pleased to craft anything as worthwhile as this. DeMille, however, may be a victim of his own success, because THE GATE HOUSE simply is not up to the bar he set himself.
John Corey, his protagonist in a quartet of books, is a wiseguy (not the Mafia kind) who is lovable in spite of his big mouth. John Whitman Sutter, the protagonist of THE GATE HOUSE, merely seems like a self-impressed, condescending jerk. I did read and like THE GOLD COAST, which also was about John Sutter, but I don't remember having such a negative reaction then to this character.
In THE GATE HOUSE, DeMille blends some of his favorite themes, including Long Island, the Mafia and the Muslim terrorists. The only thing missing is Russian oligarchs; having read and admired THE CHARM SCHOOL, I suspect that he is saving them for his next novel.
The novel is well-structured and never seems strained, as happens with many thrillers. At the same time, Sutter and his wife, Susan Stanhope Sutter, are so unsympathetic that it is hard to become engaged in their problems. It is difficult to care about them, it is difficult to like them.
In addition, a few plot points are a bit pat. Why did Sutter's former in-laws always hate him with such intensity? By the standards of these characters, he seems an ideal consort for their daughter. And the resumption of feelings between the former spouses also seems too fast to be realistic.
As for the "Gold Coast," Long Island's North Shore, I grew up near there myself (but light years away in terms of affluence) and DeMille does an excellent job of conveying a sense of the place. Dominick Dunne, however, does it better. With the exception of perhaps Palm Beach in the United States and certain royal palaces in Britain and Europe, there are few other communities where the occupants retain the expectations and entitlements of those remaining old-money families of the Gold Coast.
DeMille also makes good work of the region's fascination with the Mafia. He explores this fascination meaningfully, and his descriptions definitely feel authentic.
As for the terrorists, this subplot turns out to be insignificant yet, ultimately, important in advancing the story.
There are a couple of oddities. DeMille gives a retired Mafia lawyer the exact same name as am important Federal judge in New York; it does not appear, from the acknowledgments at the back of the book, that this was done intentionally, as a compliment. And he gives the Mafia Don's limousine company the same name as a car service/ limo company that has been a presence in New York for decades. Just seems sloppy, when one thinks about it....
In fairness, the whole story all works. The plot is intricate, careful and plausible. Maybe it was nothing more, nothing less, than unsympathetic characters, but I was not engrossed by THE GATE HOUSE. By the end of the book, I did not care about the outcome, one way or another. And this never before has happened to me with a DeMille novel, and it is why I found THE GATE HOUSE a disappointing read.
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